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Places  > North America

North America

Basics Timeline Works of Art Artists Periods, Cultures, Styles Curated Guides

Places  > North America

North America

Basics Timeline Works of Art Artists Periods, Cultures, Styles Curated Guides

Basics to get you started

About geography and chronological periods in Native American art

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Terms and issues in Native American art

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Defining “pre-Columbian” and “Mesoamerica”

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Mesoamerica, an introduction

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Periods in Mesoamerican history

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The Spanish Viceroyalties in the Americas, an introduction

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New Spain, an introduction

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Latin American art, an introduction

1800–48 in the United States, an introduction

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1848–77 in the United States, an introduction

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1877–1898 in the United States, an introduction

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1898–1945 in the United States, an introduction

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1945–80 in the United States, an introduction

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1980–now in the United States, an introduction

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Mission churches as theaters of conversion in New Spain

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The Medici collect the Americas

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Elite secular art in New Spain

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Painting Mexica (Aztec) history

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Glossary for pre-Columbian art

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Hispaniola’s early colonial art, an introduction 

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The Mesoamerican Calendar

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Pueblo architecture and its relationship to place

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Defensive saints and angels in the Spanish Americas

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Late pre-classic Mesoamerica, an introduction

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Serpents in Mexica culture

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The World’s Columbian Exposition: The Midway

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Northwest Coast basketry—woven traditions

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Early Scientific Exploration in Latin America

The Academy of San Carlos

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Mexican Independence

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Classical Architecture in Viceregal Mexico

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International Style architecture in Mexico and Brazil

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Landscape painting in 19th-century Latin America

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Prints and Printmakers in Colonial New Spain

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The Mexican-American War

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John Brown’s “tragic prelude” to the U.S. Civil War

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Nativism, immigration, and the Know-Nothing party

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Peaks and perils: The life of Carleton Watkins

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Jewish art in the United States before 1900, an introduction

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“The Immediate Cause of the Civil War,” an introduction

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Imagining the West, territorial expansion, and the politics of slavery

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The Missouri Compromise and the dangerous precedent of appeasement

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Experiences of the U.S. Civil War, an introduction

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Abraham Lincoln and northern memory

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The Lost Cause and Confederate memory

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Memory and commemoration of the U.S. Civil War, an introduction

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Olmec Jade

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The Ashcan School, an introduction

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Abstract Expressionism, an introduction

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The impact of Abstract Expressionism

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Representation and abstraction: looking at Millais and Newman

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The Painting Techniques of Ad Reinhardt

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Barnett Newman

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The Painting Techniques of Barnett Newman

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Mark Rothko (at MoMA)

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The case for Minimalism

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The case for Andy Warhol

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The case for Jackson Pollock

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How photographs of poverty in the Americas ignited an international battle over propaganda

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New Topographics

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An interview with Robert Frank

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Mark Bradford on Clyfford Still

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What is: Abstract Expressionism?

Postcommodity arts collective

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An interview with Jamian Juliano-Villani

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An interview with Maryam Hoseini

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Meriem Bennani’s Exploded Visions

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Jordan Casteel paints her community

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Theaster Gates on collecting

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Luchita Hurtado’s body of work

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Graciela Iturbide, photographing Mexico

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Mickalene Thomas on her materials and artistic influences

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Latin American artists learning in Paris

Kerry James Marshall: mastry

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Shirin Neshat, “Dreams Are Where Our Fears Live”

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Kerry James Marshall on his process

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The Black Atlantic: identity and nationhood

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The Black Atlantic: toppled monuments and hidden histories

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The Black Atlantic: afterlives of slavery in contemporary art

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Black Mountain College

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Ellen Gallagher: Cutting

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Lorna Simpson – ‘Everything I Do Comes from the Same Desire’

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Senga Nengudi, Linda Goode Bryant and the Just Above Midtown Gallery

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Surrealism: Imagining A New World

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The Art Market and taxes

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A landmark decision: Penn Station, Grand Central, and the architectural heritage of NYC

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Alternative art spaces in New York City

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Contemporary Native American architecture

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Cultural heritage at risk: United States

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Dada politics

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Dada readymades

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Jewish history in the post-war period

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Modern art and reality

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More on the Aztecs (Mexica)

Paleolithic art, an introduction

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Primitivism and modern art

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Remake the Met

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Royal Chicano Air Force (RCAF)

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Running in sneakers, the Judson Dance Theater

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Self Help Graphics and Art

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The Neolithic revolution

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The Pictures Generation

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Costumbrismo

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The case for Conceptual art

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Abstract art and Theosophy

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“Creative iconoclasm”: a tale of two monasteries

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Realism, an introduction

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Romanticism, an introduction

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Scenes of the Alameda Central of Mexico City

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Dada Manifesto

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Dada pataphysics

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How to recognize Baroque art

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The global Baroque, an introduction

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Japonisme

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Contemporary art, an introduction

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The Maya, an introduction

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The Case for Surrealism

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The Aesthetic Movement

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Surrealist Techniques: Subversive Realism

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Surrealist Techniques: Automatism

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The bug that had the world seeing red

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How to paint like Franz Kline

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Surrealism and Women

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Surrealism, an introduction

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Surrealism: Origins and Precursors

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An interview with Alfredo Jaar

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Dada performance

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What is the impact and legacy of Cook’s voyages?

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Impressionist pictorial space

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The medieval calendar

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Chiaroscuro explained

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The challenge of the nude in 19th-century Latin American painting

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Sotheby’s Returns Looted 10th Century Statue to Cambodia

African religious culture in the Atlantic world

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The Case for Abstraction

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Early photography: Niépce, Talbot, and Muybridge

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What can be done to protect cultural heritage?

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A brief history of the art museum

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Expression and modern art

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A global Middle Ages through the pages of decorated books

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Marcel Duchamp and the viewer

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Portrait painting in the Viceroyalty of Peru

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Surrealist Exhibitions

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How to paint like Ad Reinhardt

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Trafficking the past

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Seizure of looted antiquities illuminates what museums want hidden

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Latin American artistic pilgrimages to Paris

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Olmec masks and masquerade, an introduction

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An introduction to photography in the early 20th century

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The Bauhaus, an introduction

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The Bauhaus and Bau

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The Viceroyalty of Peru, an introduction

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Performance art, an introduction

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The reception of African art in the West

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Impressionism, an introduction

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Fluxus, an introduction

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Timeline

Timelines Graphic

The Pyramid of the Moon and the Pyramid of the Sun, Teotihuacan, c. 1st century C.E., Mexico (photo: Steven Zucker, CC BY-NC-SA 2.0)

North America before 1500

  • Introduction
    • Before 1607 in North America, an introduction
    • Paleolithic art, an introduction
    • Clovis culture
    • The Neolithic revolution
    • Defining “pre-Columbian” and “Mesoamerica”
    • Glossary for pre-Columbian art
    • Mesoamerican
      • Mesoamerica, an introduction
      • Periods in Mesoamerican history
      • The Mesoamerican Calendar
      • Late pre-classic Mesoamerica, an introduction
      • Mesoamerican art in context: an excerpt from an origin story (Popol Vuh)
      • Teresita Fernández on pre-Columbian gold
      • Maya
        • The Maya, an introduction
        • Maya glyphs, a basic introduction
    • Terms and issues in Native American art
    • About geography and chronological periods in Native American art
    • The Early Modern era: the 15th century
  • The Caribbean
    • Taíno
      • Introduction to Taíno art
      • Taíno zemís and duhos
      • Taíno duho
      • Taíno Kuisa
  • Costa Rica
    • Greater Nicoya
      • Doe Shaman Effigy
  • Guatemala
    • Maya
      • Tikal
      • Tikal Stela 16
      • Mirror-Bearer
      • Painted Vessel (Enthroned Maya Lord and Attendants)
      • Chakalte’, Relief with Enthroned Ruler
      • Maya: The Fenton Vase
      • Quiriguá
  • Honduras
    • Maya
      • Copán
  • Mexico
    • Prehistoric
      • Camelid sacrum in the shape of a canine
    • Mesoamerica
      • Tlatilco
        • Tlatilco Figurines
      • Olmec
        • Olmec masks and masquerade, an introduction
        • Olmec Jade
        • Olmec Colossal Heads
        • Kunz Axe (Olmec)
        • Olmec figurine
        • The Lord of Las Limas
        • Olmec mask (offering 20 from the Templo Mayor)
        • Olmec mask
        • Offering #4, La Venta
      • West Mexico
        • Pottery dog, Colima
        • Rock paintings of Sierra de San Francisco
      • Zapotec
        • Ancestor figure, Zapotec
      • Teotihuacan
        • Teotihuacan
        • Pyramid of the Moon and Pyramid of the Sun, Teotihuacan
      • Classic Veracruz
        • The Mesoamerican ballgame and a Classic Veracruz yoke
        • El Tajín
      • Maya
        • Plaque of a Maya king from Teotihuacan
        • Palenque (Classic Period)
        • Vessel with a mythological scene
        • Maya: The Yaxchilán Lintels
        • Yaxchilán—Lintels 24 and 25 from Structure 23 and structures 33 and 40
        • Classic Maya portrait stelae
        • Códice Maya de México
      • Xochicalco
      • Cholula
        • Pottery vessel, Mixteca-Puebla style
      • Huastec
        • Huastec: Life-Death Figure
      • Mixtec
        • Gold pendant depicting a ruler, Mixtec
        • Codex Zouche-Nuttall
      • Mexica (Aztec) Empire
        • Introduction to the Aztecs (Mexica)
        • Serpents in Mexica culture
        • Painting Mexica (Aztec) history
        • Turquoise mosaics, an introduction
        • Xiuhcoatl (fire serpent)
        • Seated figure of Xiuhtecuhtli
        • Wooden slit-drum (teponaztli)
        • Xochipilli
        • The Templo Mayor and the Coyolxauhqui Stone
        • Coyolxauhqui Monolith
        • Pottery model temples
        • Stone kneeling figure of Chalchiuhtlicue
        • Serpent mask of Quetzalcoatl or Tlaloc
        • Double-headed serpent
        • Mosaic mask of Tezcatlipoca
        • The House of the Eagles, and sculptures of Mictlantecuhtli and Eagle Warrior
        • Tlaloc vessel
        • Aztec feathered headdress
        • Coatlicue
        • Codex Borgia
        • Brazier of Chicomecoatl
        • Monolith of Tlaltecuhtli (Earth Lord)
        • The Sun Stone (or The Calendar Stone) (Aztec)
        • Aztec art and feasts for the dead
        • Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy
    • Mogollon
      • Introduction to Mogollon
      • Paquimé (Casas Grandes), Mogollon culture
      • Paquimé jars
  • Panama
    • Coclé
      • Mirror Pendant in the Form of a Bat-Human From Grave 5, Sitio Conte
  • United States
    • Paleolithic
      • Bannerstones, North America
    • Mound Builders
      • Poverty Point, Louisiana
      • Fort Ancient Culture: Great Serpent Mound
      • Mississippian shell neck ornament (gorget)
    • Ancestral Puebloan
      • Pueblo architecture and its relationship to place
      • Mesa Verde
      • Chaco Canyon, an introduction
      • Socorro black-on-white storage jar

North America 1500–1800

  • Introduction
    • Terms and issues in Native American art
    • About geography and chronological periods in Native American art
    • The Early Modern era: the 16th century
    • The Early Modern era: the 17th century
    • The Early Modern era: the 18th century
    • Spanish Viceroyalties
      • The Spanish Viceroyalties in the Americas, an introduction
      • Defensive saints and angels in the Spanish Americas
      • New Spain, an introduction
      • Mission churches as theaters of conversion in New Spain
      • Elite secular art in New Spain
      • The bug that had the world seeing red
      • The Medici collect the Americas
      • The global Baroque, an introduction
      • Religion in the Colonial Americas
        • Christianity, an introduction
        • The Council of Trent and the call to reform art
        • African religious culture in the Atlantic world
    • Early scientific exploration in Latin America
  • Canada
    • What is the impact and legacy of Cook’s voyages?
    • New France
      • Codex Canadensis
    • Tsimshian
      • Tsimshian shaman’s rattle
  • Dominica
    • British Colonial
      • Agostino Brunias, Free Women of Color with Their Children and Servants in a Landscape
  • Guatemala
    • Viceroyalty of New Spain
      • Nativity group
  • Haiti
    • Viceroyalty of New Spain
      • Hispaniola’s early colonial art, an introduction 
  • Mexico
    • Mexica (Aztec) Empire
      • Introduction to the Aztecs (Mexica)
      • Serpents in Mexica culture
      • Painting Mexica (Aztec) history
      • Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy
      • The Templo Mayor and the Coyolxauhqui Stone
      • Coyolxauhqui Monolith
      • Aztec feathered headdress
      • Serpent mask of Quetzalcoatl or Tlaloc
      • Coatlicue
      • Codex Borgia
      • Brazier of Chicomecoatl
      • Monolith of Tlaltecuhtli (Earth Lord)
      • The Sun Stone (or The Calendar Stone) (Aztec)
      • Aztec art and feasts for the dead
    • Viceroyalty of New Spain
      • Introduction
        • Classical Architecture in Viceregal Mexico
        • Prints and Printmakers in Colonial New Spain
        • Scenes of the Alameda Central of Mexico City
      • The Codex Huexotzinco
      • Featherworks: The Mass of St. Gregory
      • St. Michael the Archangel in Huejotzingo
      • Frontispiece of the Codex Mendoza
      • The Convento of San Nicolás de Tolentino, Actopan, Hidalgo
      • Convento of San Agustín de Acolman
        • A new Jerusalem in the Americas—the convento of Acolman
        • Atrial Cross at Acolman
        • Murals from New Spain, San Agustín de Acolman
      • Images of Africans in the Codex Telleriano-Remensis and Codex Azcatitlan
      • Puebla de los Ángeles and the classical architectural tradition
      • La Casa del Deán in Puebla
      • A Renaissance miniature in wood and feathers
      • Saintly violence? Santiago on Horseback
      • Corn pith sculptures
      • Bernardino de Sahagún and Indigenous collaborators, Florentine Codex
      • Hearst Chalice
      • Engravings in Diego de Valadés’s Rhetorica Christiana
      • Map of Cholula, from the relaciones geográficas
      • “Burning of the Idols,” in Diego Muñoz Camargo’s Description of the City and Province of Tlaxcala
      • What does the music of heaven sound like? St. Cecilia in New Spain
      • The manuscripts of Luis de Carvajal
      • Baltasar de Echave Ibía, The Hermits
      • Sebastián López de Arteaga, Marriage of the Virgin
      • A shimmering saint, Saint John in featherwork
      • Christ Crucified, a Hispano-Philippine ivory
      • Biombo with the Conquest of Tenochtitlan and View of Mexico City
      • Virgin of Guadalupe
      • Painting Conservation of the Virgin of Guadalupe
      • Cristóbal de Villalpando, View of the Plaza Mayor of Mexico City
      • Miguel González, The Virgin of Guadalupe
      • Screen with the Siege of Belgrade and Hunting Scene (or Brooklyn Biombo)
      • Talavera poblana
      • Testerian Catechism, The Egerton Codex
      • Spaniard and Indian Produce a Mestizo, attributed to Juan Rodríguez Juárez
      • Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes)
      • Miguel Cabrera
        • Portrait of Sor Juana Inés de la Cruz
        • Virgin of the Apocalypse
        • From Spaniard and Morisca, Albino Girl
      • Church of Santa Prisca and San Sebastian, Taxco, Mexico
      • Francisco Clapera, set of sixteen casta paintings
      • Miguel de Herrera, Portrait of a Lady
      • Crowned nun portraits, an introduction
      • Escudos de monjas, or nuns’ badges, in New Spain
      • Crowned Nun Portrait of Sor María de Guadalupe
      • Juan Patricio Morlete Ruiz, Christ Consoled by Angels
  • Puerto Rico
    • Spanish Colonial
      • José Campeche, portraitist of 18th-century Puerto Rico
      • José Campeche y Jordán, Portrait of Governor Ramón de Castro
      • José Campeche, Exvoto de la Sagrada Familia
  • United States
    • British Colonial (13 colonies)
      • 1607–1754 in North America: colonies, slavery, and war
      • Theodore de Bry, Grands Voyages from the Collected travels in the east Indies and west Indies
      • Theodore de Bry, “Their sitting at meate”
      • Puritan court cupboard
      • Portraits of John and Elizabeth Freake (and their baby)
      • James Wooldridge, Indians of Virginia
      • John Smibert, The Bermuda Group
      • Gerardus Duyckinck I (attributed), Six portraits of the Levy-Franks family, c. 1735
      • The triangle trade and the colonial table, sugar, tea, and slavery
      • African Burial Ground, New York City
      • John Singleton Copley
        • A Boy with a Flying Squirrel (Henry Pelham)
        • Paul Revere
        • Portrait of Mr. and Mrs. Thomas Mifflin (Sarah Morris)
        • The Copley Family
        • Watson and the Shark
      • Benjamin West, The Death of General Wolfe
      • Benjamin West, Penn’s Treaty with the Indians
    • Viceroyalty of New Spain
      • Mission Church, San Esteban del Rey, Acoma Pueblo
      • The Virgin of the Macana and the Pueblo Revolution of 1680
      • The Alamo (& Mission San Antonio de Valero)
    • Puebloan
      • Pueblo architecture and its relationship to place
    • Anishinaabe
      • Global trade and an 18th-century Anishinaabe outfit
      • Anishinaabe shoulder bag
    • Early U.S. Republic
      • 1754–1800 in North America, an introduction
      • John Trumbull, The Declaration of Independence
      • Jean-Antoine Houdon, George Washington
      • Gilbert Stuart, The Skater
      • Gilbert Stuart’s Lansdowne Portrait
      • Congo Square, New Orleans

North America 1800–1900

  • Introduction
    • Native North America
      • About geography and chronological periods in Native American art
      • Terms and issues in Native American art
    • Latin America
      • Latin American art, an introduction
      • Early scientific exploration in Latin America
      • Costumbrismo
      • Latin American artistic pilgrimages to Paris
      • Landscape painting in 19th-century Latin America
      • The challenge of the nude in 19th-century Latin American painting
    • Romanticism, an introduction
    • Realism, an introduction
    • Classic, classical, and classicism explained
    • Impressionism, an introduction
    • Japonisme
  • Canada
    • Native North American
      • Arctic Native American
        • Arctic clothing
      • Wyandotte
        • Embroidered diplomacy, the Elgin Trays
      • Kwakwaka’wakw
        • Transformation masks
        • Ceremonial belt (Kwakwaka’wakw)
    • Gothic Revival
      • “A Cheap Farm House,” c. 1864–onward
    • Impressionism
      • Frances Jones (Bannerman), In the Conservatory
    • Early photography
      • William Notman, Ice Shove, Commissioner Street, Montreal
  • Cuba
    • Spanish Colonial
      • Víctor Patricio Landaluze, Three Kings Day in Havana
  • Haiti
    • Kingdom of Haiti
      • Richard Evans, Portraits of the Caribbean’s first Black king and prince
  • Jamaica
    • Spanish Colonial
      • Isaac Mendes Belisario, Sketches of Character
  • Mexico
    • The Academy of San Carlos
    • Mexican Independence
    • Retablo of La Mano Poderosa/The All Powerful Hand
    • Cristo de Sacromonte ex-voto
    • Neoclassical sculpture
      • Manuel Vilar, Tlahuicole
    • Romanticism
      • José María Velasco, The Valley of Mexico from the Santa Isabel Mountain Range
      • José María Velasco, The Candelabrum
    • Realism
      • José Agustín Arrieta, La Sorpreza
      • Felipe Santiago Gutiérrez, La despedida del joven indio (The Young Indian’s Farewell)
    • Academic
      • Félix Parra, Fray Bartolomé de las Casas
  • Puerto Rico
    • Spanish Colonial
      • Francisco Oller
        • Hacienda La Fortuna
        • Still Life with Plantains and Bananas and Still Life with Coconuts
        • The Wake
        • President William McKinley
      • Manuel Cuyàs Agulló, El desembarque de los americanos en Ponce, 27 de julio de 1898
      • Cabán group, Los Reyes Magos
  • Trinidad and Tobago
    • British Colonial
      • Michel-Jean Cazabon, Cedar Point, Mount Tamana
  • United States
    • Introduction
      • 1800–48 in the United States, an introduction
      • 1848–77 in the United States, an introduction
      • 1877–1898 in the United States, an introduction
      • The Missouri Compromise and the dangerous precedent of appeasement
      • The Mexican-American War
      • Nativism, immigration, and the Know-Nothing party
      • John Brown’s “tragic prelude” to the U.S. Civil War
      • U.S. Civil War
        • Causes of the War
          • “The Immediate Cause of the Civil War,” an introduction
          • The problem of picturing slavery
          • Images in a divided world
          • Imagining the West, territorial expansion, and the politics of slavery
        • Experiences of the War
          • Experiences of the U.S. Civil War, an introduction
          • The work of war
          • Homes and families
          • Refugees, prisoners, and displacement
        • Commemoration of the War
          • Memory and commemoration of the U.S. Civil War, an introduction
          • The Lost Cause and Confederate memory
          • Abraham Lincoln and northern memory
      • Jewish art in the United States before 1900, an introduction
    • Native North American
      • Californian Native American
        • Chumash
          • Juana Basilia Sitmelelene, Presentation Basket (Chumash)
      • Eastern Woodland Native American
        • Lenni Lenape
          • Bandolier bags, an introduction
          • Bandolier bag (Lenni Lenape)
      • Great Basin Native American
        • Eastern Shoshone
          • Eastern Shoshone: Hide Painting of the Sun Dance, attributed to Cotsiogo (Cadzi Cody)
      • Northwest Coast Native American
        • Northwest Coast basketry—woven traditions
        • Bentwood Boxes of the Northwest Coast peoples
        • Haida
          • Haida Totem Pole, from Old Kasaan
          • Haida potlatch pole
        • Tlingit
          • Tlingit mortuary and memorial totem poles
          • Oyster Man totem pole, Saxman Totem Park
          • Proud Raven totem pole, Saxman Totem Park
      • Plains Native American
        • Feathered war bonnets
        • Headdress (Cheyenne or Lakota)
        • Mandan
          • War Shirt (Upper Missouri River)
        • Pawnee
          • Bear Claw Necklace (Pawnee)
        • Kiowa
          • Paukeigope (Kiowa), Cradleboard
        • Hunkpapa Lakota
          • Henry Oscar One Bull, Custer’s War
        • Dakota
          • Nellie Two Bear Gates, Suitcase
      • Southwestern Native American
        • Pueblo architecture and its relationship to place
        • Acoma
          • Acoma polychrome water jar
          • Nampeyo, Polacca polychrome water jar
        • Hopi
          • White Ogre Tihu (Katsina Figure)
    • Early U.S. Republic
      • Charles Willson Peale
        • Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale I)
        • Yarrow Mamout
        • The Artist in His Museum
      • Rembrandt Peale, Rubens Peale with a Geranium
      • John Vanderlyn, Ariadne Asleep on the Island of Naxos
      • Thomas Birch, Perry’s Victory on Lake Erie
      • Thomas Birch, Fairmount Water Works
    • Romanticism
      • Washington Allston, Elijah in the Desert
      • Edward Hicks, The Peaceable Kingdom
      • Hudson River School
        • Thomas Cole
          • Expulsion from the Garden of Eden
          • The Oxbow
          • The Architect’s Dream
          • The Voyage of Life
          • The Hunter’s Return
        • Frederic Edwin Church
          • The Natural Bridge, Virginia
          • Niagara and Heart of the Andes
          • Cotopaxi
          • The Iceberg
        • Asher B. Durand, Kindred Spirits
        • Fitz Henry Lane, Owl’s Head, Penobscot Bay, Maine
        • George Inness, The Lackawanna Valley
        • Jasper Francis Cropsey, Mount Jefferson, Pinkham Notch, White Mountains
        • Thomas Moran, Grand Canyon of the Yellowstone
        • Albert Bierstadt, Hetch Hetchy Valley, California
      • Ferdinand Deppe, The Mission of San Gabriel, Alta California in May 1832
      • Karl Bodmer, expedition prints
      • The Radical Floriography of Sarah Mapps Douglass
      • George Catlin, The White Cloud, Head Chief of the Iowas
      • Peter Frederick Rothermel, De Soto Raising the Cross on the Banks of the Mississippi
      • Emanuel Leutze, Washington Crossing the Delaware
      • Emanuel Gottlieb Leutze, Westward the Course of Empire Takes Its Way
      • Robert S. Duncanson, A Dream of Italy
      • Frederic Remington, The Fall of the Cowboy
    • Realism
      • Francis Guy, Winter Scene in Brooklyn
      • John Wesley Jarvis, Black Hawk and His Son Whirling Thunder
      • William Sidney Mount, Bargaining for a Horse
      • John James Audubon, The Wild Turkey
      • Richard Caton Woodville, War News from Mexico
      • George Caleb Bingham, Country Politician
      • David Gilmour Blythe, Justice
      • Eastman Johnson, A Ride for Liberty — The Fugitive Slaves
      • Winslow Homer
        • “The Army of the Potomac—A Sharpshooter on Picket Duty”
        • Army Teamsters
        • Taking Sunflower to Teacher
        • The Life Line
        • The Fog Warning (or Halibut Fishing)
        • Northeaster
        • Searchlight on Harbor Entrance, Santiago de Cuba
        • The Shell Heap
      • Lilly Martin Spencer, The Home of the Red, White, and Blue
      • Samuel Colman, Jr., Ships Unloading, New York
      • Thomas Eakins, The Champion Single Sculls (Max Schmitt in a Single Scull)
      • Thomas Eakins, The Gross Clinic and The Agnew Clinic
      • Henry Mosler, Le Retour
      • Thomas Hovenden, The Last Moments of John Brown
      • Grafton Tyler Brown, View of the Lower Falls, Grand Canyon of the Yellowstone
      • Henry Ossawa Tanner, The Banjo Lesson
      • Henry Ossawa Tanner, The Thankful Poor
      • William F. Cogswell, Queen Liliʻuokalani, and Maria Kealaulaokalani Lane Ena, ʻAhu ʻula (The Kalākaua Cape)
    • Neoclassical
      • Thomas Crawford, George Washington Equestrian Monument
      • William Wetmore Story, Cleopatra
      • John Quincy Adams Ward, The Freedman
      • Hiram Powers, The Greek Slave
      • Edmonia Lewis, The Old Arrow Maker
      • Edmonia Lewis, Forever Free
      • Moses Jacob Ezekiel, Religious Liberty
      • The Statue of Liberty
    • Aestheticism and the Gilded Age
      • The Aesthetic Movement
      • James Abbott McNeill Whistler
        • Symphony in White, No. 1: The White Girl
        • Nocturne in Black and Gold: The Falling Rocket
        • Harmony in Blue and Gold: The Peacock Room
      • Herter Brothers, Mark Hopkins House Side Chair
      • John Singer Sargent
        • El Jaleo
        • The Daughters of Edward Darley Boit
        • Madame X (Madame Pierre Gautreau)
        • Carnation, Lily, Lily, Rose
        • Kehinde Wiley on John Singer Sargent
      • Julius Bien, Max Rosenthal, and chromolithography
    • Vernacular art and design
      • Congo Square, New Orleans
      • Edgefield District ceramics
        • David Drake, Double-handled jug
        • Cultures and slavery in the American south: a Face Jug from Edgefield county
      • Anna Pottery, Snake jug
      • Nast & Reconstruction, understanding a political cartoon
    • Early photography
      • Early photography: Niépce, Talbot, and Muybridge
      • Augustus Washington, John Brown
      • John Whipple, William Bond, and George Bond, The Moon, No. 37
      • Solomon Nunes Carvalho, View of a Cheyenne Village
      • Timothy O’Sullivan, A Harvest of Death
      • Timothy O’Sullivan, Ancient Ruins in the Cañon de Chelle
      • Peaks and perils: The life of Carleton Watkins
      • Carleton Watkins, Eagle Creek, Columbia River
      • Eadweard Muybridge, The Horse in Motion
      • Eadweard Muybridge, The Attitudes of Animals in Motion
        Getty Conversations
      • John Choate, Boarding School Portraits of Tom Torlino
      • Jacob Riis, “Knee-Pants” at Forty-Five Cents a Dozen—A Ludlow Street Sweater’s Shop, from How the Other Half Lives
    • Architecture and Design
      • Thomas Jefferson, Monticello
      • Thomas Jefferson, Rotunda, University of Virginia
      • Seneca Village: the lost history of African Americans in New York
      • The Alamo (& Mission San Antonio de Valero)
      • Robert Mills and Lieutenant Colonel Thomas Lincoln Casey, Washington Monument
      • Shrady and Casey, Ulysses S. Grant Memorial
      • Federal Hall National Memorial
      • Inventing America, Colt’s Experimental Pocket Pistol
      • Slave Burial Ground, University of Alabama
      • Little Round House
      • Olmsted and Vaux, Central Park
      • ʻIolani Palace, Honolulu, Hawaiʻi
      • Beaux-Arts
        • Antonin Mercié, Robert E. Lee Monument
        • The 1893 Chicago World’s Fair
          • The World’s Columbian Exposition: Introduction
          • The World’s Columbian Exposition: The White City and fairgrounds
          • The World’s Columbian Exposition: The Midway
          • Childe Hassam, Horticulture Building, World’s Columbian Exposition, Chicago
        • Monument Avenue and the Lost Cause
      • Chicago School architecture
        • Burnham and Root, The Monadnock Building
        • Burnham and Root, Reliance Building
        • Soaring upward, Louis Sullivan and the invention of the skyscraper
        • Louis Sullivan, Carson, Pirie, Scott Building

North America 1900–50

  • Introduction
    • About geography and chronological periods in Native American art
    • Terms and issues in Native American art
    • Modern art and reality
    • Expression and modern art
    • Primitivism and modern art
    • Surrealism, an introduction
    • Surrealism: Imagining A New World
    • The Case for Surrealism
    • An introduction to photography in the early 20th century
    • Latin American art, an introduction
    • The Case for Abstraction
    • Who created the first abstract artwork?
    • Representation and abstraction: looking at Millais and Newman
  • Canada
    • Modernisms
      • Franklin Carmichael, Grace Lake
  • Cuba
    • Realism
      • Armando García Menocal, Campesino y soldado español (Peasant and Spanish soldier)
    • Impressionism
      • Willard Metcalf, Havana Harbor
    • Modernisms
      • Amelia Peláez del Casal, Fishes
      • Surrealism
        • Wifredo Lam, The Jungle
        • Wifredo Lam, The Eternal Presence
  • Dominican Republic
    • Modernisms
      • Jaime Colson, Merengue
  • Haiti
    • Surrealism
      • Hector Hyppolite, Ogou Feray also known as Ogoun Ferraille
  • Jamaica
    • Modernisms
      • Edna Manley, Negro Aroused
  • Mexico
    • Modernisms
      • Francisco Goitia, Tata Jesucristo
      • Rufino Tamayo, Perro aullando a la luna (Dog Howling at the Moon)
      • Mexican Muralism
        • Mexican muralism: Los Tres Grandes—David Alfaro Siqueiros, Diego Rivera, and José Clemente Orozco
        • Diego Rivera
          • First and second floor murals of the Secretaría de Educación Pública
          • Stairwell and third floor “Court of Labor” at the Secretaría de Educación Pública
          • Third floor murals of the Secretaría de Educación Pública
          • Sugar Cane
          • Detroit Industry Murals
          • Man at the Crossroads
          • Man Controller of the Universe
          • The History of Mexico, murals at the National Palace
          • Calla Lilly Vendor (Vendedora de Alcatraces)
          • Dream of a Sunday Afternoon in Alameda Central Park
        • José Clemente Orozco, Dive Bomber and Tank
      • Surrealism
        • Frida Kahlo
          • Frida Kahlo, an introduction
          • Frieda and Diego Rivera​
          • The Two Fridas (Las dos Fridas)
        • Rosa Rolanda, Self-Portrait
      • International Style architecture
        • International Style architecture in Mexico and Brazil
  • Puerto Rico
    • Modernisms
      • Ramón Frade, Our Daily Bread
  • United States
    • 1898–1945 in the United States, an introduction
    • Modernisms
      • Native North American
        • Arctic Native American
          • Yup’ik
            • North Wind Mask
        • Californian Native American
          • Mono Lake Paiute
            • Carrie Bethel, Basket bowl
        • Northwest Coast Native American
          • Tlingit
            • The Chief Johnson Totem Pole
        • Plains Native American
          • Feathered war bonnets
          • Hunkpapa Lakota
            • Henry Oscar One Bull, Custer’s War
          • Kiowa
            • Stephen Mopope, Game of Skill
            • Stephen Mopope, U.S. Post Office Murals, Anadarko, OK
          • Minneconjou Lakota
            • Standing Bear (Mató Nájin), Battle of Little Bighorn
        • Southwestern Native American
          • Pueblo architecture and its relationship to place
          • Hopi
            • White Ogre Tihu (Katsina Figure)
          • Hopi-Tewa
            • Nampeyo, Polacca polychrome water jar
            • Nampeyo (Hopi-Tewa), polychrome jar
          • San Ildefonso
            • Julian Martinez, Buffalo Dancers
            • Awa Tsireh, Pottery Makers
            • Maria Martinez, Black-on-black ceramic vessel
          • Zia
            • Velino Shije Herrera (Ma Pe Wi), Design, Tree and Birds
      • Ashcan School
        • The Ashcan School, an introduction
        • Robert Henri, Tom Po Qui (Water of Antelope Lake/Indian Girl/Ramoncita)
        • George Benjamin Luks, Street Scene (Hester Street)
        • George Bellows
          • Pennsylvania Station Excavation
          • Both Members of This Club
          • Return of the Useless
        • John Sloan, Movies
        • Jonas Lie, The Conquerors (Culebra Cut, Panama Canal)
      • American Impressionism
        • Childe Hassam, Horticulture Building, World’s Columbian Exposition, Chicago
        • Childe Hassam, Allies Day, May 1917
        • Elizabeth Sparhawk-Jones, The Shoe Shop
      • Symbolism
        • Henry Ossawa Tanner, Angels Appearing before the Shepherds
        • Henry Ossawa Tanner, The Good Shepherd
      • Charles S. Schoenheider Sr., Standing Canada Goose
      • 291
        • 291—Little Galleries of the Photo Secession
        • Georgia O’Keeffe
          • Radiator Building—Night, New York
          • The Lawrence Tree
          • A Piece of Wood II/From Knot of Wood
        • Marsden Hartley, Portrait of a German Officer
        • Joseph Stella, The Voice of the City of New York Interpreted
        • Charles Demuth, I Saw the Figure 5 in Gold
        • Florine Stettheimer, Portrait of Alfred Stieglitz
      • Dada
        • Dada, an introduction
        • Dada Manifesto
        • Dada politics
        • Dada readymades
        • Dada performance
        • Dada collage
        • Dada pataphysics
        • Marcel Duchamp
          • Marcel Duchamp and the viewer
          • Nude Descending a Staircase, No 2
          • In Advance of the Broken Arm
          • Fountain
          • The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
          • Boite-en-valise, Series F
      • Surrealism
        • Man Ray, The Gift
      • Jim Crow Period
        • Meta Warrick Fuller, Emancipation
        • Connecticut Klan robe
        • Stone Mountain, Georgia
      • The lure of the American Southwest: E. Martin Hennings, Rabbit Hunt
      • Harlem Renaissance
        • Aaron Douglas, Aspiration
        • Jacob Lawrence, The Migration Series
        • Jacob Lawrence, Ambulance Call
      • Precisionism
        • Elsie Driggs, Blast Furnaces
      • Social Realism
        • Raphael Soyer, Dancing Lesson
        • Todros Geller, Strange Worlds
        • Hale Woodruff, The Banjo Player
        • Grant Wood, American Gothic
        • Grant Wood, Parson Weems’ Fable
        • Vertis Hayes, The Lynchers
        • Vertis Hayes, Juke Joint
        • Walter Ufer, Hunger
        • Ben Shahn
          • The Passion of Sacco and Vanzetti
          • Contemporary American Sculpture
          • Miners’ Wives
        • Yasuo Kuniyoshi, Little Joe with Cow
        • Reginald Marsh, Wooden Horses
        • Millard Sheets, Tenement Flats
        • Alexandre Hogue, Crucified Land
        • Horace Pippin
          • Mr. Prejudice
          • Holy Mountain, I
          • Josiah McElheny on Horace Pippin
        • Eldzier Cortor, Southern Landscape
        • Charles Sebree, The Mystic
        • Edward Hopper, Nighthawks
        • Romare Bearden, Factory Workers
        • Romare Bearden, Three Folk Musicians
        • Norman Rockwell, Rosie the Riveter
        • Archibald John Motley Jr., Bronzeville at Night
      • Black Mountain College
      • Abstract Expressionism
        • Abstract Expressionism, an introduction
        • The impact of Abstract Expressionism
        • Norman Lewis, Untitled (Subway Station)
        • Norman Lewis, Untitled
        • Jackson Pollock
          • The case for Jackson Pollock
          • How to paint like Jackson Pollock
          • Mural
          • Number 1A, 1948
          • Autumn Rhythm
          • Conservation: One: Number 31, 1950
        • Barnett Newman
          • Barnett Newman
          • Onement, I
          • How to paint like Barnett Newman
        • Lee Krasner, Untitled
        • Lee Krasner, Re-Echo
      • Photography
        • Alfred Stieglitz, The Steerage
        • Ansel Adams: visualizing a photograph
        • Shigemi Uyeda, Reflections on the Oil Ditch
          Getty Conversations
        • Lotte Jacobi, Head of a Dancer
        • Lotte Jacobi, Albert Einstein
        • Harold Edgerton, Milk-Drop Coronet Splash
        • Dorothea Lange, Migrant Mother
        • Walker Evans, Subway Passengers, New York City
        • Esther Bubley, Waiting for the Bus at the Memphis Terminal
        • Gordon Parks, Off on My Own (Harlem, New York)
        • LaToya Ruby Frazier on Gordon Parks’s Red Jackson
      • Architecture and Design
        • Beaux-Arts
          • Carrère & Hastings, The New York Public Library
          • Frederick MacMonnies, Civic Virtue
          • A landmark decision: Penn Station, Grand Central, and the architectural heritage of NYC
        • Libbey Glass Company, Punch Bowl
        • Art Nouveau
          • Art Nouveau
          • Louis Comfort Tiffany
            • Punch Bowl with Three Ladles
            • Hair Ornament
            • Vase
        • Gothic Revival
          • Cass Gilbert, Woolworth Building
        • Art Deco
          • William Van Alen, The Chrysler Building
        • Assyrian revival architecture in New York City
        • Rockefeller Center
        • Frank Lloyd Wright
          • Frank Lloyd Wright, Fallingwater
          • Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York City
          • Frank Lloyd Wright, Bachman-Wilson House
        • Glass Chair at the 1939 New York World’s Fair
        • Russel Wright, “American Modern” Pitchers
        • Anni Albers, weavings for the Rockefeller Guest House
      • Alexander Calder, Mobile
      • Isamu Noguchi, Gregory (Effigy)

North America 1950–today

  • Introduction
    • Contemporary art, an introduction
    • Conceptual art, an introduction
    • The case for Conceptual art
    • Performance art, an introduction
    • Postmodernism
    • The case for copying
    • Identity politics: from the margins to the mainstream
    • The Black Atlantic
      • The Black Atlantic: What is the Black Atlantic?
      • The Black Atlantic: Identity and Nationhood
      • The Black Atlantic: Toppled Monuments and Hidden Histories
      • The Black Atlantic: Afterlives of Slavery in Contemporary Art
    • Latin American art, an introduction
    • About geography and chronological periods in Native American art
    • Terms and issues in Native American art
  • Canada
    • Modernisms
      • Native North American
        • Rita Letendre, Menace (Ramat Gan)
        • Indians of Canada Pavilion, Expo 67, Montreal
    • Contemporary
      • Lawrence Paul Yuxweluptun, Leaving My Reservation to Go to Ottawa and Fight for a New Constitution
      • Rebecca Belmore on Rising to the Occasion
      • Noel Harding, The Elevated Wetlands
      • Stan Douglas, Every Building on 100 West Hastings
      • Jeff Wall, A View from an Apartment
      • Douglas Coupland, Terry Fox Memorial
  • El Salvador
    • Contemporary
      • Muriel Hasbun, Todos los santos (Volcán de Izalco, amén)
      • Muriel Hasbun, X post facto (6.7)
  • Mexico
    • Modernisms
      • Luis Nishizawa and mexicanidad
      • Lola Álvarez Bravo, Architectural Anarchy in Mexico City
      • International Style architecture
        • International Style architecture in Mexico and Brazil
      • Conceptual art
        • Mónica Mayer, The Clothesline
    • Contemporary
      • Photography
        • Graciela Iturbide, photographing Mexico
      • Conceptual art
        • Damián Ortega, Alias
        • Minerva Cuevas, Crossing of the Rio Bravo
        • Tanya Aguiñiga, Metabolizing the Border
      • Abraham Cruzvillegas, Autoconstrucción
      • Rafael Lozano-Hemmer, Border Tuner
  • Puerto Rico
    • Modernisms
      • Rafael Tufiño, Goyita
      • Rafael Tufiño, La Plena
  • United States
    • 1945–80 in the United States, an introduction
    • 1980–now in the United States, an introduction
    • Modernisms
      • Black Mountain College
        • Black Mountain College, an introduction
        • Josef Albers, Homage to the Square
      • New York School
        • Abstract Expressionism
          • Abstract Expressionism, an introduction
          • Jackson Pollock
            • Autumn Rhythm
            • Conservation: One: Number 31, 1950
          • The impact of Abstract Expressionism
          • Mark Rothko
            • The case for Mark Rothko
            • No. 3/No. 13
            • No. 210/No. 211 (Orange)
            • How to paint like Mark Rothko
            • Mark Rothko (at MoMA)
            • Restoring Rothko
          • Willem de Kooning
            • Woman, I
            • How to paint like Willem de Kooning
          • Franz Kline
            • Franz Kline
            • How to paint like Franz Kline
          • Joan Mitchell, City Landscape
          • Robert Motherwell, Elegy to the Spanish Republic No. 57
          • Hedda Sterne, Number 3—1957
          • Conrad Marca-Relli, Cristobal
          • Tony Smith, Die
          • Beauford Delaney, Marian Anderson
          • Mark Bradford on Clyfford Still
        • Color Field
          • Helen Frankenthaler
            • Mountains and Sea
            • The Bay
          • Frank Stella, The Marriage of Reason and Squalor
          • Ad Reinhardt
            • How to paint like Ad Reinhardt
            • Abstract Painting
          • Joe Overstreet, Boxes
          • Washington Color School
            • Alma Thomas, Lunar Rendezvous—Circle of Flowers
            • Sam Gilliam, Purpled (Chasers Series)
      • Neo-Dada
        • Sari Dienes, Star Circle
        • Robert Rauschenberg
          • Erased de Kooning Drawing
          • Bed
          • Canyon
          • Retroactive I
          • Booster
          • Signs
        • Jasper Johns
          • Flag
          • White Flag
        • Jean Tinguely, Homage to New York
      • Pop art
        • Pop art, an introduction
        • Roy Lichtenstein
          • Look Mickey
          • Rouen Cathedral Set V
        • Andy Warhol
          • The case for Andy Warhol
          • Campbell’s Soup Cans
          • Marilyn Diptych
          • Coca-Cola [3]
          • Gold Marilyn Monroe
        • Marisol, The Party
        • Claes Oldenburg
          • Floor Cake
          • Lipstick (Ascending) on Caterpillar Tracks
        • James Rosenquist, F-111
        • Kay WalkingStick
          • Peonies
          • Me and My Neon Box
          • Havasu Revisited
        • Betye Saar, Liberation of Aunt Jemima
        • Harry Fonseca, Two Coyotes with Flags
      • Minimalism
        • Minimalism, an introduction
        • The case for Minimalism
        • Robert Ryman in “Paradox”
        • Dan Flavin at Dia Bridgehampton
        • Robert Morris
          • (Untitled) L-Beams
          • Bodyspacemotionthings
        • Carl Andre, Lever
        • Donald Judd, Untitled
        • Richard Serra
          • Tilted Arc
          • Artaud
        • Fred Sandback at Dia Beacon
        • How to paint like Agnes Martin
      • Conceptual art
        • Fluxus, an introduction
        • Joseph Kosuth, One and Three Chairs
        • Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths
        • Vito Acconci, Following Piece
        • John Baldessari, I Will Not Make Any More Boring Art
        • Eleanor Antin, Carving: A Traditional Sculpture
        • Martha Rosler, The Bowery in Two Inadequate Descriptive Systems
        • Martha Rosler, Semiotics of the Kitchen
        • Hans Haacke, Seurat’s “Les Poseuses” (small version), 1888–1975
        • The case for Yoko Ono
      • Land art
        • The case for land art
        • Robert Smithson, Spiral Jetty
        • Alice Aycock, Low Building with Dirt Roof (For Mary)
        • Nancy Holt, Sun Tunnels
        • Walter De Maria, The Lightning Field
        • Christo and Jeanne-Claude, The Gates
      • Postminimalism
        • Eva Hesse
          • Untitled
          • Untitled (Rope Piece)
          • Untitled (Seven Poles)
        • Lynda Benglis—“Form and Texture Create the Magic”
        • Judy Chicago, The Dinner Party
        • Mary Kelly, Post-Partum Document
        • Barbara Zucker
          • Mix, Stir, Pour (White Floor Piece)
          • Time Signatures: Homage to Linda and Lucy. My Luminaries
        • Faith Ringgold, Ben
        • Jackie Winsor, #1 Rope
        • Senga Nengudi, Linda Goode Bryant and the Just Above Midtown Gallery
      • Postwar Figuration
        • Thelma Johnson Streat, Girl with Bird
        • George Tooker, Highway
        • Hughie Lee-Smith, The Walls
        • Jess, If All the World Were Paper and All the Water Sink
        • Benny Andrews, Flag Day
        • Brummett Echohawk, An Island of Redbuds on the Cimarron
        • Emory Douglas, The Black Panther: All Power to the People
        • Billy “War Soldier” Soza, The Wind Only I Am Afraid Of
        • Marcos Dimas, Lolita Lebrón: Puerto Rican Freedom Fighter
        • Duane Hanson, Executive, originally titled, Another Day
        • Nitza Tufiño, Pareja Taína (Taíno Couple)
        • Robert Colescott
          • I Gets a Thrill Too When I Sees De Koo
          • Miss Liberty
        • Faith Ringgold, Ben
        • Philip Guston: the restless artist painting everyday evil
        • Luchita Hurtado’s body of work
        • Lin Tianmiao on Alex Katz’s Black and Brown Blouse
      • Postwar Abstraction
        • Ruth Asawa, Untitled
        • Lee Bontecou, Untitled (No. 25)
        • Melvin Edwards, Some Bright Morning
        • Louise Bourgeois, Cumul I
        • Fritz Scholder, Indian Rug #5
        • Rita Mae Pettway, Housetop (fractured medallion variation)
      • Performance Art
        • Running in sneakers, the Judson Dance Theater
        • Gordon Matta-Clark, Splitting
        • Mierle Laderman Ukeles, Washing/Tracks/Maintenance: Outside (July 23, 1973)
      • Chicano Art Movement
        • Royal Chicano Air Force (RCAF)
        • Self Help Graphics and Art
        • Antonio Bernal, The Del Rey Mural
        • Malaquías Montoya, Vote Register
        • Mel Casas, Humanscape 70 (Comic Whitewash)
        • Harry Gamboa Jr., À la Mode, from the Asco era
        • Yolanda López, Guadalupe Triptych
      • Photography
        • Robert Frank
          • An interview with Robert Frank
          • Rashid Johnson on Robert Frank’s The Americans
        • Garry Winogrand, Democratic National Convention, Los Angeles, 1960
        • How photographs of poverty in the Americas ignited an international battle over propaganda
        • Richard Avedon, Audrey Hepburn, New York, January 1967
        • Diane Arbus, A Box of Ten Photographs
        • New Topographics
        • The Pictures Generation
        • Cindy Sherman, Untitled Film Still #21
        • Ana Mendieta, Silueta series
      • Architecture and Design
        • International Style architecture
          • Gordon Bunshaft for Skidmore Owings and Merrill, Lever House
          • Ludwig Mies van der Rohe, Seagram Building, New York City
        • Brutalism
          • The Whitney Museum of American Art (then The Met Breuer, and now the Frick Madison)
        • Postmodernism
          • Robert Venturi, House in New Castle County, Delaware
          • Philip Johnson and John Burgee, The AT&T Building
        • Alternative art spaces in New York City
        • Isamu Noguchi, Gregory (Effigy)
        • Maya Lin, Vietnam Veterans Memorial
        • Jean Schlumberger, Columns and Sphere
    • Contemporary
      • Contemporary Native American architecture
      • 1980s
        • Roger Minick, Woman with Scarf at Inspiration Point, Yosemite National Park
        • Lloyd Kiva New, Untitled (Landscape)
        • Roger Shimomura, Diary: December 12, 1941
        • Barbara Kruger, Untitled (Your gaze hits the side of my face)
        • Pablita Velarde (Tse Tsan), Awataba Kiva Mural
        • Jenny Holzer, Inflammatory Essays and All Fall
        • Celia Álvarez Muñoz, Which Came First? Enlightenment #4
        • Jean-Michel Basquiat, Horn Players
        • Keith Haring, Subway Drawings
        • Guerrilla Girls
          • Dearest Art Collector
          • Advantages of Being a Woman Artist
          • Do women have to be naked to get into the Met. Museum?
          • “You Have to Question What You See,” interview with the Guerrilla Girls
        • Masami Teraoka, American Kabuki
        • Jamie Wyeth, Kalounna in Frogtown
        • Alfredo Jaar
          • A Logo for America
          • An interview with Alfredo Jaar
        • Sally Mann, Blowing Bubbles
        • Andres Serrano, Piss Christ
        • Jeff Koons, Pink Panther
        • Hung Liu, Resident Alien
        • Renée Stout, interview about Fetish #2
        • Ruthe Blalock Jones, Medicine Woman
      • 1990s
        • Sue Coe, Aids won’t wait, the enemy is here not in Kuwait
        • Carmen Lomas Garza, Tamalada
        • Freddy Rodríguez, Paradise for a Tourist Brochure
        • Cindy Sherman, Untitled #228
        • Carrie Mae Weems, Untitled (Woman Feeding Bird), from The Kitchen Table Series
        • David Wojnarowicz, Untitled (One Day This Kid . . .)
        • Xu Bing, Book from the Sky
        • Felix Gonzalez-Torres
          • “Untitled” (billboard of an empty bed)
          • “Untitled” (L.A.)
        • Faith Ringgold, Dancing at the Louvre
        • Jaune Quick-to-See Smith
          • Trade (Gifts for Trading Land with White People)
          • State Names
        • Thornton Dial, Blood and Meat: Survival For The World
        • Catherine Opie, Self-Portrait/Cutting
        • Richard Mayhew, Indigenous Spiritual Space
        • Joel Sternfeld, On This Site—The Stonewall Inn
        • Pepón Osorio
          • En la barbería no se llora (No Crying Allowed in the Barbershop)
          • Badge of Honor
        • Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii
        • Kerry James Marshall
          • Our Town
          • An interview with Kerry James Marshall about his series Mementos
          • Kerry James Marshall: mastry
          • Kerry James Marshall on his process
        • Christina Fernandez, María’s Great Expedition
        • Muriel Hasbun, Todos los santos (Volcán de Izalco, amén)
        • Bill Viola, The Crossing
        • Anita Fields, Elements of Being
        • María Magdalena Campos-Pons, Spoken Softly with Mama
        • Stefanie Jackson, Bluest Eye
        • Michelangelo Lovelace, Streetology
        • Toshiko Takaezu, Crater Moon
        • Amalia Mesa-Bains, Venus Envy
      • 2000s
        • Stéphane Couturier, Fenetre, Eastlake Greens, San Diego
        • Shahzia Sikander, Pleasure Pillars
        • Kiki Smith, Lying with the Wolf
        • Wayne Thiebaud, Ponds and Streams
        • Kara Walker
          • Darkytown Rebellion
          • An interview with Kara Walker
        • Richard Prince, Nurse Elsa
        • Fred Wilson: Beauty & Ugliness
        • Robert Irwin, Beacon Project
        • Mendi + Keith Obadike’s Black.Net.Art Actions
        • Elizabeth Catlett, Invisible Man
        • Lalla Essaydi, Converging Territories #11
        • Luis Alfonso Jiménez, Eagle
        • Xu Bing, Monkeys Grasp for the Moon
        • An-My Lê, 29 Palms
        • Julie Mehretu
          • Stadia II
          • HOWL, eon (I, II)
        • Ellen Gallagher, DeLuxe
        • Kehinde Wiley, Napoleon Leading the Army over the Alps
        • Mark Dion, Neukom Vivarium
        • African Burial Ground, New York City
        • Chris McCaw, Sunburned, GSP #166, Mohave/Winter Solstice
        • Mel Chin, Operation Paydirt
        • Pocho Research Society (Sandra de la Loza), Echoes en el Echo: A Series of Interventions about Memory, Place, and Gentrification
        • Catherine Opie, Figure and Landscape series
        • James Turrell, Skyspace, the way of color
      • 2010s
        • Shan Goshorn, Sealed Fate: Treaty of New Echota Protest Basket
        • Wendy Red Star, 1880 Crow Peace Delegation
        • Shahzia Sikander, The Last Post
        • Ola Ka Wai, Ola Ka Honua: sovereign flows on and off the wall
        • Theaster Gates
          • Theaster Gates on collecting
          • In Case of Race Riot II
          • Glass Lantern Slide Pavilion
        • United States Federal Building and Courthouse, Tuscaloosa, Alabama
        • Binh Danh, Bridalveil Fall, Yosemite CA, May 31, 2012
        • Rashid Johnson, Good Love
        • Kenseth Armstead, Surrender Yorktown 1781
        • Weaving the landscape: DY Begay’s The Edge
        • Tenzing Rigdol, Pin drop silence: Eleven-headed Avalokiteshvara
        • Muriel Hasbun, X post facto (6.7)
        • Shizu Saldamando, Sandra and Tammy, Hollywood Forever
        • Jesús Rafael Soto, Houston Penetrable
        • Danh Vo
          • We the People
          • Danh Vo interview: art should estrange
        • Tania Bruguera
          • The Francis Effect
          • Immigrant Movement International
        • Jeffrey Gibson
          • I’m Not Perfect
          • Be Witched Bothered and Be Wildered
        • Virgil Ortiz, Aeronauts, Steu and Cuda
        • Clarissa Rizal, Resilience Robe
        • Kara Walker, A Subtlety, or the Marvelous Sugar Baby
        • Maya Lin, Silver Upper White River
        • Nari Ward, We the People (black version)
        • Jack Whitten, Soul Map
        • Postcommodity arts collective
        • Do Ho Suh, Rubbing/Loving
        • Mark Bradford, Thelxiepeia
        • Maria Gaspar, 96 Acres Project
        • Courtney Leonard, ARTIFICE Ellipse
        • Sherrie Levine, After Russell Lee: 1-60
        • Richard Misrach, Border Cantos
        • Luis Tapia, Corazón Negro
        • Nick Cave, “Soundsuits”
        • Julie Mehretu, HOWL, eon (I, II)
        • Rina Banerjee, commerce out of the Earth
        • Titus Kaphar, The Cost of Removal
        • Raúl de Nieves, Beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end
        • Alison Saar, Topsy and the Golden Fleece
        • Joan Snyder, Roxy Red Fugue
        • Dorica Jackson, Diving Whale Chilkat Robe
        • Guadalupe Maravilla, Requiem For My Border Crossing
        • Hock E Aye Vi Edgar Heap of Birds, Native Hosts (Arkansas)
        • Jaime Carrejo, Border/Land
        • JooYoung Choi, Journey to the Cosmic Womb
        • Equal Justice Initiative, The National Memorial for Peace and Justice
        • Glenn Ligon, Untitled (America)
        • Ahilapalapa Rands, Lift Off
        • Stephanie Syjuco, The Visible Invisible
        • Ken Gonzales-Day, Erased Lynching Series
        • Linda Vallejo, The Brown Dot Project
        • Will Wilson, Critical Indigenous Photographic Exchange
        • Maurizio Cattelan, The $150,000 Banana
        • rafa esparza, Border Wash—after Leonard Nadel, 1956
        • Kapulani Landgraf, ʻAuʻa
        • Suchitra Mattai, Exodus
        • Wangechi Mutu, The NewOnes, will free Us
        • Amy Sherald, Precious Jewels by the Sea
        • Yatika Starr Fields and mural painting
        • Kara Walker, Fons Americanus
        • Marie Watt, Companion Species (Speech Bubble)
        • Kehinde Wiley, Rumors of War
        • An interview with Maryam Hoseini
      • 2020s
        • Firelei Báez, Untitled (A Correct Chart of Hispaniola with the Windward Passage)
        • Raven Custalow, Puttawus
        • Rashid Johnson, Stacked Heads
        • Michael Rakowitz, The invisible enemy should not exist (Room F, section 1, Northwest Palace of Nimrud)
        • Richard Zane Smith, Wyandotte Feast Pot
        • Marilyn Spoon, Bandolier Bag
        • Krzysztof Wodiczko, Monument
        • Michelle Browder, Mothers of Gynecology
        • Zheng Chongbin on “I Look for the Sky”
        • Lares Feliciano, Memory Mirror installation
        • Maya Lin, Ghost Forest
        • Mickalene Thomas
          • Guernica (Resist #3)
          • Mickalene Thomas on her materials and artistic influences
        • Genesis Báez, Crossing Time
        • Tsedaye Makonnen, Light Sculptures
        • Glendalys Medina, Atabey
        • Kerry James Marshall, Now And Forever; Elizabeth Alexander, “American Song,” Washington National Cathedral
        • Martin Puryear, Lookout
        • Beatriz Cortez, Ilopango, The Volcano That Left
        • Jordan Nassar, A Mountain Looms
        • Ilana Savdie, Thirty-Seven Counts and Trismus
        • Alfred Conteh, Our Greatest Inheritance

Works of Art

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  • Place
  • Date
  • Artist
  • Period, Culture, Style
  • Artwork Type
  • Material
  • Technique

Lawrence Paul Yuxweluptun, Leaving My Reservation to Go to Ottawa and Fight for a New Constitution

1985

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Billy “War Soldier” Soza, The Wind Only I Am Afraid Of

1969

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Rita Letendre, Menace (Ramat Gan)

1963

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Lloyd Kiva New, Untitled (Landscape)

c. 1980

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Tsedaye Makonnen, Light Sculptures

2019–23

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Guerrilla Girls, Dearest Art Collector
Getty Conversations

1986

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Guerrilla Girls, Do women have to be naked to get into the Met. Museum?
Getty Conversations

1989

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Jeffrey Gibson, Be Witched Bothered and Be Wildered

2019

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Artists

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Ai Weiwei, Dropping a Han Dynasty Urn, 1995 (photo: © Ai Weiwei)

Ai Weiwei, Dropping a Han Dynasty Urn, 1995 (photo: © Ai Weiwei)

Lida Abdul

Marina Abramović

Vito Acconci

Ansel Adams

Robert Adams

Tanya Aguiñiga

Anni Albers

Josef Albers

Elizabeth Alexander

Washington Allston

Lola Álvarez Bravo

Celia Álvarez Muñoz

Carl Andre

Benny Andrews

Anna Pottery

Eleanor Antin

1 2 3 … 38 Next
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Periods, Cultures, Styles

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Great Lakes and Central Woodland Native American

Sac and Fox Nation

Seneca

Wyandotte

Northwest Coast Native American

Cowichan

Tseshaht

Cree

Confederated Salish and Kootenai Tribes

Dakota

Denesuline/Chipewyan

Kainai

Southeastern Native North American

Shawnee

Greater Nicoya

Tlaxcalan Civilization

Prehistoric

before 2000 B.C.E.

Paleolithic

before 10,000 B.C.E.

Aleut (Unangan)

to today

Inuit

to today

Yup’ik

to today

Californian Native American

to today

Chumash

to today

Mono Lake Paiute

to today

Eastern Woodland Native American

to today

Lenni Lenape (Delaware)

to today

Shinnecock

to today

Eastern Shoshone

to today

Winnebago (Ho-Chunk)

to today

Great Basin Native American

to today

Anishinaabe

to today

Haida

to today

Kwakwaka’wakw

to today

Suquamish

prehistory–today

Tlingit

To today

Tsimshian

c. 12,000 B.C.E.–today

Cheyenne

to today

Iháƞktȟuƞwaƞna Dakhóta

c. 12,000 B.C.E.–today

Kiowa

to today

Lakota

to today

Hunkpapa Lakota

to today

Minneconjou Lakota

to today

Mandan

to today

Pawnee

to today

Cherokee

to today

Choctaw

to today

Acoma

to today

Hopi

to today

Puebloan

c. 12,000 B.C.E.–today

Santa Clara

to today

San Ildefonso

to today

Zia

to today

Isthmian

to today

Payómkawichum (Luiseño)

to today

Indé (Apache)

to today

ʔívil̃uqaletem (Cahuilla)

to today

Abenaki

to today

Plateau Native American

to today

Syilx (Okanagan)

to today

Clovis

c. 11,200–10,900 B.C.E.

Native North American (First Nations)

before 11,200 B.C.E.–today

Neolithic

c. 10,000–2000 B.C.E.

Arctic Native American

to today

Plains Native American

to today

Apsáalooke (Crow)

to today

Osage

to today

Southwestern Native American

to today

Diné (Navajo)

to today

Cochiti

to today

Hawaiian

to today

Mesoamerican

before 7000 B.C.E.–1500 C.E.

Maya civilization

c. 3000 B.C.E.–1697 C.E.

Huastec civilization

c. 2000 B.C.E.–1521

Oceti Sakowin Oyate (Sioux)

c. 1,000–1 B.C.E. to the present

Tlatilco

c. 1800–400 B.C.E.

Coclé

c. 1200 B.C.E.–16th century C.E.

Olmec

c. 1200–400 B.C.E.

Zapotec civilization

c. 600 B.C.E.–900 C.E.

Teotihuacan

c. 100 B.C.E.–750 C.E.

Classic Veracruz

c. 1–1200 C.E.

Ancestral Puebloan

c. 1–1300

Mogollon

c. 200–1450

Viking Age

c. 8th–13th century

Mixteca-Puebla

c. 9th–early 16th century

Fort Ancient Culture

1000–1650

Paquimé (Casas Grandes)

c 1150–1350

Taíno

c. 1200–today

Mixtec civilization

c. 1200–1521

Mattaponi

to today

Mexica (Aztec)

1325–1521

Colonial American

c. 1492–1898

Colonial Caribbean

1492–today

Colonial Spanish American

c. 1520–1898

Viceroyalty of New Spain

c. 1520–1821

New France

1534–1763

Viceroyalty of Peru

1542–1824

Native American Colonial period

c. 1598–1830

Huron-Wendat

17th century–today

Baroque

c. 1600–1700

Age of Enlightenment

17th–18th century

Colonial British American (13 colonies)

c. 1607–1776

Academic

1648–today

Hopi-Tewa

to today

Viceroyalty of New Granada

c. 1717–1822

Gothic Revival

Mid-18th century–late 19th century

Neoclassicism

c. 1760–1830

Neoclassical sculpture

late 18th–early 20th century

Early U.S. Republic

c. 1776–1820

Latin American independence movements

1791–today

Romanticism

c. 1800–1848

Edgefield District

mid-19th century

Egyptian Revival

c. 19th–early 20th century

Mexican independence

1810–21

Antebellum period

c. 1812–61

Hudson River School

1825–70

Early photography

c. 1826–85

Realism

c. 1830–80

Native American Removal period

c. 1830–49

Beaux-Arts

19th–early 20th century

Native American Reservation period

c. 1849–87

Pictorialist

1850s–1930s

Arts and Crafts

c. 1860–1920

U.S. Civil War period

1861–65

Aestheticism

c. 1862–1900

Reconstruction era

1865–77

Impressionism

c. 1870–1920

Chicago School

late 19th century

Prairie School

late 19th–early 20th century

Jim Crow era

1870s–1960s

Gilded Age

1877–1900

Art Nouveau

c. 1880–1910

Symbolism

c. 1880–1910

Native American Allotment and Assimilation period

c. 1887–1934

Modernisms

c. 1900–1980

Latin American Modernism

1900–1980

Ashcan School

c. 1900–1930s

291

1905–17

Dada

1913–24

Taos Society of Artists

1915–27

Harlem Renaissance

c. 1918–1940

Mexican Muralism

c. 1920–60

Latin American Constructivism

c. 1920–70

International Style

c. 1920–1980

Precisionism

1920s

Art Deco

1920s–1930s

Surrealism

1922–c. 1950

Latin American Surrealism

1925–50

Social Realism

c. 1930–1945

Native American Reorganization period

c. 1934–53

Abstract Expressionism

c. 1947–60

Civil Rights era

c. 1950–75

Color field

1952–85

Native American Termination period

c. 1953–75

New York School

c. 1955–75

Pop Art

c. 1956–75 and after

Minimalism

c. 1959–75

Conceptual art

c. 1960–70 and after

Brutalist

1960s–70s

Neo-Dada

c. 1960s

Late Modernism/Postmodernism

1962–today

Fluxus

1962–79

Postminimalism

c. 1963–80

Chicano Art Movement

c. 1960s–70s

Washington Color School

c. 1965–85

Photorealism

late 1960s–early 1970s

The Pictures Generation

1974–84

Native American Self-determination period

c. 1975–2001

Contemporary

1980–today

Native American Sovereignty period

c. 2001–today

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Curated Guides to North America

All Textbook Chapters Syllabi Thematic Series

Textbook Chapter

Mesoamerica 200–900 C.E.

Textbook Chapter

Mesoamerica and the Caribbean, 900–16th century

Textbook Chapter

Art in American Colonies and the United States, c. 1700–1865

Textbook Chapter

The art of the viceroyalty of New Spain

Textbook Chapter

The sacred baroque in the Catholic world

Textbook Chapter

Secular matters of the global baroque

Textbook Chapter

Art and Nationalism in 19th-century Latin America

Textbook Chapter

Northern Northwest Coast Art

Textbook Chapter

African American art and social justice

Textbook Chapter

Modern Art, Colonialism, Primitivism, and Indigenism: 1830–1950

Textbook Chapter

Latin American modernisms

Textbook Chapter

Popular, transient, expendable: print culture and propaganda in the 20th century

Textbook Chapter

Art into life: anti-modernist gestures

Textbook Chapter

Re-Mapping Land Art: Earthworks, Borderlands, Ecology

Textbook Chapter

Itinerant modernisms: cosmopolitans, exiles, travelers since 1950

Textbook Chapter

Responding to the early modern European tradition

Textbook Chapter

Portraiture in the premodern world, 700–1400

Syllabus

Art of the Early Modern Period Syllabus (c. 1400–1800)

Syllabus

Modern Art Syllabus

Syllabus

World Art History Syllabus

Syllabus

History of Photography Syllabus

Syllabus

AP®︎ Art History

Syllabus

Global Contemporary Art Syllabus

Syllabus

Latin American Art Syllabus

Thematic Series

Seeing America

Thematic Series

Latinx Futures

Thematic Series

The U.S. Civil War in Art

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